Welsh horror film 'Dark Signal' is skull- crushingly dull. Seeing Neil Marshall’s name in the opening credits of a horror film should spark delight in genre fans’ gore- loving hearts, but it only brings disappointment in “Dark Signal.” The “Descent” and “Dog Soldiers” director serves as executive producer here, but there’s little of the energy he’s known for in director Edward Evers- Swindell’s dull, poorly structured movie. A masked serial killer strikes in Snowdonia, Wales, targeting young women and cutting off their ring fingers. Meanwhile, local radio DJ Laurie Wolf (Siwan Morris) and her engineer, Ben (Gareth David- Lloyd), are broadcasting their final show when they begin to pick up the cries of a murdered woman via EVP (Electronic Voice Phenomenon).
Nearby, single mother Kate (Joanna Ignaczewska) waits for her boyfriend to return to her car on a quiet country road, when mysterious happenings begin to haunt her. These multiple narrative threads are loosely tied together, united largely by a lack of logic or sympathetic characters in any of them. Evers- Swindell, who co- wrote with Antony Jones, clearly has affection for the genre. However, it creeps along without providing either scares or an unsettling mood. Detective-Mystery Films are usually considered a sub-type of crime/gangster films (or film noir), or suspense or thriller films that focus on the. Read all the hottest movie news. Get all the latest updates on your favorite movies - from new releases to timeless classics, get the scoop on Moviefone. Directed by William Fruet. With Martin Hewitt, Ralph Seymour, Elaine Wilkes, Paul Bartel. In order to join a sorority, three friends go to a hazing party in an old.Instead, it’s punctuated by brief moments of violence; if you’ve ever been curious about the sound a head would make when being crushed by a shovel, this is the movie for you.- -- -- -- -- -- -- . Brown, Kate Hudson, Dan Stevens and Josh Gad in . Brown, Kate Hudson, Dan Stevens and Josh Gad in. Music, TV & radio, books, film, art, dance & photography. We've noticed you're adblocking. We rely on advertising to help fund our award- winning journalism. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Thank you for your support.
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