![]() This is part of my Folk Music of England, Scotland. The date I have used is for the original ballad or air to which the song can be linked. ![]() THE FANTASTIKIDS & Monsieur N 5 Traditional New Year Songs for New Year’s Eve. Burns combined a common Scottish folk song with his own lyrics to arrive at the version commonly. Happy New Year – A popular song by Swedish pop group ABBA from their. Official Chinese New Year Events. Two thrilling events to celebrate HAPPY CHINESE NEW YEAR in. Troupe will enthral Sydney audiences with a feast of Chinese ethnic music for one night only at City Recital Hall. Chinese New Year Music. Happy Chinese New Year. This song is another orphean New Year song in China. This song is an old Chinese New Year folk song in China. Chinese New Year Songs, Music, Lyrics, English Translations. Chinese New Year, the Spring Festival, is the top festival in China. It is a time for expressing good wishes and hopes, and celebrating. Special songs are sung to suit the mood of the festival. Here we have collected four popular Chinese New Year songs for you to listen to online, and even learn — pinyin and translations provided. It is performed in this recording with traditional Chinese instruments. We also have many more materials for learning Chinese. Meet Shirley Collins, quintessental English folk voice of 1. That's not unusual in Lewes, the county town of East Sussex, but this woman is a little different from the rest of the hotel's clientele. For starters, she is talking about a trip across America in 1. What's more, her saucy laughs are brightening the room's murkiest corners. Especially to go recording musicians in the mountains. One of them, the Virginia singer Texas Gladden, took me to one side and said, 'You ought to be careful with an older man.'. Lomax's contribution to music has been heralded for years, but Collins' own work has only recently been getting the recognition it deserves. In the last 1. 8 months, she has been given an MBE for services to music and the Radio 2 Good Tradition award, the station's equivalent of a lifetime achievement Oscar. This month she curates a five- day festival at the Southbank called Folk Roots, New Routes, named after the pioneering jazz- folk fusion album she made with Davy Graham in 1. It's about time a woman whose gorgeously austere style of singing shaped the understanding of English traditional music, and whose approach to it influenced a generation of folk artists, was honoured. But given that Collins stopped performing altogether in 1. Collins takes us back to 1. Alan Lomax's history of blues music, The Land Where the Blues Began, to explain. Collins sighs at the memory. All it said was, 'Shirley Collins was along for the trip.' It made me hopping mad. I wasn't just 'along for the trip'. I was part of the recording process, I made notes, I drafted contracts, I was involved in every part. Her memoir, America Over the Water, was published in 2. Well that's not how I saw it. She was born in Hastings in 1. Still, Collins mother's politics were not hugely to Collins' taste. I want to talk about boys and music!'. He was already well known for making a BBC radio series about folk music, produced by the young David Attenborough. Knowing Lomax would be there, Collins scraped together pennies to buy enough cheap, navy needlecord to make a new outfit. She made quite an impression. They recorded performances at prisons, captured the extraordinary fiddle- playing of 9. Sid Hemphill, and discovered the blues of Mississippi Fred Mc. Dowell. Collins moved back to Britain to build her own singing career, and married her first husband, Austin John Marshall, much to Lomax's despair. She had two children, Polly and Bobby, and made a series of albums including The Sweet Primeroses, Love, Death and the Lady, and - with her sister Dolly - the innovative Anthems in Eden, a collection of songs about the first world war accompanied by viols, sackbuts and crumhorns. Around the same time, Collins divorced her first husband and married Fairport Convention's Ashley Hutchings, before they too divorced in the late 1. Collins kept in touch sporadically with Lomax, but they only met once again, in Brighton in the early 9. As ever, she says, there was great affection between them, but they argued about Collins' career. It was only after his death in 2. Collins properly forgave him. The final straw was seeing him, debilitated by a brain haemorrhage and unable to speak, in the documentary film Lomax the Songhunter. I thought, God, I can't end this on a sour note. The 2. 00. 6 paperback edition now finishes with an Appalachian folk song that begins with the words: . Collins turned it into a spoken word and song show with her friend and former partner Pip Barnes, which encouraged the Southbank Centre to make her a festival curator - even though, she says, they were loth for her to mention the word . But surely given the recent folk revival, isn't the word rather fashionable? American, Irish and Scottish music is loved very naturally, but people assume English stuff is all about Arran sweaters. If I'd been angry I would've been all right. Another influential folk singer, Linda Thompson, suffered the same condition after her divorce from Richard Thompson. Collins gave up singing completely, and turned her hand to normal jobs, including running a branch of Oxfam. She has recorded nothing since, because she is worried her voice isn't reliable enough to convey the folk songs properly. This idea of the . A folk voice should just be a conduit for the song. You want no sheen, just the song. This is partly why she disliked protest singers such as Joan Baez in the 1. She is happy it is being passed down through the generations and she talks gushingly about modern musicians such as Will Oldham's brother, Ned, Alasdair Roberts and Lisa Knapp, all of whom are performing at her festival. But she is concerned that folk is taking a wrong turn, . Many of them are almost turning themselves into pantomime acts. They're so self- aware, strutting around, turning it into theatre. What they should remember is that these songs are about people, not a person. She talks delightedly about the EP of her songs made by Colin Meloy of the Decemberists (see below), and bursts with pride when talking about Graham Coxon's performance of Just as the Tide Was Flowing at the Radio 2 folk awards. For someone from his world to connect with my music and understand it so readily - his performance was the highlight of my life. I mean, how did these people find out about me? I'm just a normal woman having a kitchen fitted, having her mobile run out of battery, pouring the tea. That's why people connect. It's all about being human. He lies on my chest, occasionally restlessly repositioning his head from my shoulder to the crook of my arm. It must strike him weird to be offered so much seafood. The song is like a time capsule. It transports me to a time where the promise of a . I imagine it being sung by some fisherman, in his sea salt- crusted Wellingtons and Pendleton wool sweater, reeking of the fisheries, encumbered by the welterweight embrace of his adoring son. I've heard a few versions of the song, but it's Shirley's that really captivates me. Considering that the titular command of the song is to dance, it's a surprisingly melancholy arrangement. It's only two chords - the major and its relative minor - and when the end of the lines resolve on that minor chord, there's something inexpressibly heartbreaking in it. And it's the voice that sings it, too. I think to call Shirley's voice angelic is to do it a disservice. There's no denying the high, pure beauty of her voice, but there's too much earth, too much dirt in it to call it angelic. It's also a voice completely its own; there's no other voice to match it. The folk revival on both sides of the Atlantic produced a lot of imitations, but Shirley's voice is a touchstone. I've gone to great lengths to amass a nearly- complete collection of Shirley's work and I'm constantly in awe of its diversity. She has been both an ardent traditionalist and a cutting- edge innovator in the realm of folk song arrangement, but it's always that voice that carries through. Colin Meloy Sings Live! More at shirleycollins.
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